PAUL COKER Jr. (1929-2022)

Recently, on July 23, cartoonist Paul Coker Jr., one of my favorite artists from the original MAD Magazine Usual Gang of Idiots, passed on.  The following is the article appearing in ANIMATION Magazine on the day of his passing:

Animation artist and illustrator Paul Coker Jr., best known for his character and production designs for the classic Rankin/Bass stop-motion specials as well as his long stint illustrating for MAD Magazine, died at home in Santa Fe, New Mexico on July 23 at age 93, after a brief illness. Coker’s stepdaughter, Lee Smithson Burd, confirmed his passing to Deadline and shared that the artist was “lucid and had his remarkable sense of humor until the end.”

Born March 5, 1929 in Lawrence, Kansas, Coker studied drawing and painting at the University of Kansas, and began his career designing greeting cards for Hallmark in the 1950s in Kansas City, Missouri. He became the Art Director for the company’s humorous “Contemporary Card” line.

His first work for MAD appeared in 1961, and he became established as one of the publication’s so-called “Usual Gang of Idiots.” He went on to illustrate over 375 articles for the humor rag, as well as a series of paperbacks starting in 1968.

Coker was known for his “Horrifying Clichés” panels and film/TV parody spoofs. He also collaborated with MAD writer Don Edwing on the Lancelot and Horace & Buggy comic strips. Coker freelanced for other publications, including Esquire, Good Housekeeping and Playboy. 

To generations of fans, however, Coker will be remembered as the artful hand that created beloved Rankin/Bass characters like Frosty the Snowman (from the 1969 2D special); Kris Kringle, Winter Warlock and Burgermeister Meisterburger (Santa Claus Is Comin’ to Town, 1970); and the wonderfully vaudevillian villains Snow Miser and Heat Miser (The Year without a Santa Claus).

                                       

For Jules Bass and Arthur Rankin Jr.’s iconic studio, Coker also provided character designs for stop-motion specials Here Comes Peter Cottontail (1971), Rudolph and Frosty’s Christmas in July (1979) and The Enchanted World of Danny Kaye: The Emperor’s New Clothes (1972) as well as 2D specials and series like Festival of Family Classics and The Wacky World of Mother Goose. 

                                  

Coker lent his talents to to many of these titles as well, in addition to The First Easter Rabbit, Frosty’s Winter Wonderland, Rudolph’s Shiny New Year, Jack Frost, The Stingiest Man in Town and Nestor, the Long-Eared Christmas Donkey, to name a few. Coker continued working the the studio into the early 2000s, on the 2D TV movie Santa, Baby! He also provided character models for Cartoon Network’s Whatever Happened to Robot Jones? (2002).                          Coker is survived by his wife of 33 years, Rosemary Smithson, and stepdaughters Lee Smithson Burd and Carol Smithson.

Very Sad News: MORT DRUCKER is gone!

Mort Drucker, master of caricature passed away today at 91 years of age.
His work made my days happier and his art was my inspiration. He will certainly be missed, although he had pretty much retired in recent years but his fine legacy will stay forever with us.
I used to buy MAD magazine just to see his masterful artwork and celebrity caricatures which were imitated but never equaled by other Drucker-hopefuls.  His style has an undefined quality that makes his caricatures rise above everybody else's.
I won't go into many details about his work but you can read what I wrote here:
                         https://ferllera.blogspot.com/2019/03/mort-drucker.html

So long, Mort! Someday, we'll all be eventually meeting on that big drawing board up above!

You can read more about Mort Drucker here:

https://en.wikipedia.org/wiki/Mort_Drucker

CARY GRANT remembered.

                                              We lost Cary Grant on November 29, 1986.

Born Archibald Alexander Leach, he was born in Horfield, Bristol on January 18, 1904 and passed away on November 29, 1986 at the age of 82.

His skill at playing comedy and dramatic roles with equal ease, was unparalleled in his time and as of today, there's still no other actor that can match his style or charismatic screen presence and charm.

I immensely enjoyed his early screwball comedies from the mid thirties through the forties like GUNGA DIN, THE AWFUL TRUTH, BRINGING UP BABY, PENNY SERENADE, HIS GIRL FRIDAY, ARSENIC AND OLD LACE and MR. BLANDINGS BUILDS HIS DREAM HOUSE, and I still watch them repeatedly whenever I can.

But my favorite films are the ones from his later career like TO CATCH A THIEF, NORTH BY NORTHWEST, OPERATION PETTICOAT and CHARADE, probably just because I was born in the fifties and I related to these more closely.

                                              

                                 

Anyway, Cary Grant was one of my very favorite actors and, like every male back in the day, I also wished I was more like Cary Grant.

               

               

Cary Grant and his fifth wife, Barbara Harris.

Cary Grant, like many celebrities, was the subject of many affectionate caricatures throughout his career.

 By Al Hirschfeld


         Hollywood Steps Out (Merrie Melodies) 1941

 By Mort Drucker

It should be mentioned that Cary Grant was one of the names considered when Harry Saltzman and Albert Broccoli were about to cast the first James Bond film, DR. NO, back in 1962.  Grant didn't want to sign for a multi-picture contract so he passed on the offer.

NORTH BY NORTHWEST (1959)

CHARADE (1964) 

Here's a video showing how Cary Grant could've handled 007's duties: 

DON MARTIN looks at Monsters!

I have always admired the work of cartoonist Don Martin, who worked at MAD magazine from 1956 to 1988, which, of course, were the golden years of that publication. His cartoon style was unlike anything I had seen before, and it completely blew my mind. His grotesquely designed characters and his ridiculously exaggerated sound effects always made me laugh out loud!

I was really sorry when he departed MAD over royalty disagreements with Mad's publisher, William Gaines but I loyally followed him over to Cracked magazine, where he stayed six years before branching out with his own magazine which unfortunately, didn't do well.
Don Martin kept working on other projects until his death on January 6, 2000 in Coconut Grove, Florida at age 68, from cancer.

In memory of this extraordinary artist, here we have a few monster inspired cartoons, to celebrate the impending Halloween season.