NOVARO: THE MEXICAN COLOSSUS (2017)

                                  Available for a limited time through Amazon's Prime Video:

"Novaro - The Mexican Colossus traces the unknown story behind one of the biggest comic companies in Latin America, Editorial Novaro, its place in the Mexican comic industry, its relation with its consumers and its role in shaping the Mexican middle class".

 I was one of several people interviewed in connection to the NOVARO Publishing Company, trying to explain the reasons behind its sudden bankruptcy and eventual disappearance.

I spent about 13 years of my adult life writing and drawing the PINK PANTHER & BEEP BEEP, THE ROAD RUNNER comics as well as a short lived comic of my own creation called EL MAFIOSO NICK.

The 2017 documentary, actually filmed in 2013, examines the influence NOVARO had on several generations of readers from Mexico down to Uruguay, Peru and the rest of  Latin America during the nearly four decades it dominated the comic book market, printing mostly material from the U.S. but also generating a few locally produced titles. The documentary offers some theories about NOVARO's sudden demise and explores the collectibles phenomenon it triggered during its peak years.

This is the link to PRIME VIDEO which will be active for a limited time:

https://www.primevideo.com/detail/0GUT26IG56MHV26JAE6UCWRSWM/ref=atv_wl_hom_c_unkc_1_1

It's Time To Go Out Trick-Or-Treating!

It's Halloween and trick-or-treaters may appear in some very unlikely places!

HAPPY HALLOWEEN!

Here are a couple of my favorite Halloween-themed Pink Panther covers I did for Novaro/Western Publishing way back in the 1980s:

More Halloween Memories

As I always do around this time, here are some few samples of my Halloween themed cartoons:

TODAY IS INTERNATIONAL ANIMATION DAY!

From Wikipedia:

This day commemorates the first public performance of Charles-Émile Reynaud's Théâtre Optique at the Grevin Museum in Paris, 1892. In 1895, the Cinematograph of the Lumière brothers outshone Reynaud's invention, driving Émile to bankruptcy. However, his public performance of animation entered the history of optical entertainments as shortly predating the camera-made movies. In recent years, the event has been observed in more than 50 countries with more than 1000 events, on every continent, all over the world. IAD was initiated by ASIFA, International Animated Film Association, a member of UNESCO. During International Animation Day cultural institutions are also invited to join in by screening animated films, organizing workshops, exhibiting artwork and stills, providing technical demonstrations, and organizing other events helping to promote the art of animation. Such a celebration is an outstanding opportunity of putting animated films in the limelight, making this art more accessible to the public.

Vic Flick and Plas Johnson

 VIC FLICK -                                                                                                                                              You may not know the name Vic Flick, but you know his signature motif–that reverby lick from the James Bond theme, recorded in 1962 for Dr. No, the first in the long-running film franchise. Flick played on every Bond smash through Diamonds are Forever, and even recorded with Eric Clapton on the latter-day 007 soundtrack, License to Kill. You can further hear the guitarist in the film scores such as Midnight Cowboy and The Return of the Pink Panther, as well as cult shows like “The Avengers” and “The Prisoner.”

The John Barry Seven, featuring John Barry on trumpet and Vic Flick on the guitar.

Vic Flick 

The Clifford Essex Paragon Deluxe Guitar used by Vic Flick 

on the original James Bond Theme recording of 1962.

John Barry recorded a revised version in 1967.

You can listen to it here:

THE JAMES BOND THEME

The original James Bond Theme used in DR. NO :

The Original James Bond Theme

PLAS JOHNSON -

Plas Johnson's seductive tenor sound has been utilized on many studio sessions, including - most notably - the Pink Panther film (1963). A more versatile player than one might think, Johnson sounds equally at home in blues, R&B-ish, and hard bop settings. He recorded a single in New Orleans (1950), moved to Los Angeles, and was quickly established as a popular studio musician. Johnson worked with Johnny Otis and Charles Brown, recorded dates as a leader for Tampa (1956-1957), Score, Capitol (1958-1960), Ava (1964), and Concord (1975-1976), worked with the Capp-Pierce Juggernaut, and toured with the Gene Harris Superband in 1990. But to date, his most famous piece is the theme from THE PINK PANTHER, composed by Henry Mancini and recorded in 1963. 

"The Pink Panther Theme" is an instrumental composition by Henry Mancini written as the theme for the 1963 film The Pink Panther and subsequently nominated for the Academy Award for Best Original Score at the 37th Academy Awards but lost to the Sherman Brothers for Mary Poppins. The eponymous cartoon character created for the film's opening credits by David DePatie and Friz Freleng was animated in time to the tune. The tenor saxophone solo was played by Plas Johnson.

PLAS JOHNSON

The Pink Panther original recording:

THE PINK PANTHER THEME

PINK PANTHER Olympic Trading Cards

            

Two cards published in 1990 by Editorial VID with an Olympic theme. These two were the ones I did. 

The rest of the collection featured all the other characters from Vid's comic book titles.

THOSE MAGNIFICENT FIRST YEARS AT THE DRAWING BOARD!

As I was preparing some materials for an interview, I came across several items that made me go back in time and recall those very first years when I started my career as a cartoonist.

Back then, during the early 1970s, where there was no internet, there were no scanners, no Photoshop or any other digital means to aid artists in their creations, you had to depend on the more traditional tools of graphic design.

Essential instruments for my work were the Gillott nibs, the wooden handles, the indispensable Pelikan Black India Ink, the erasers, the HB pencils and my paper of choice, the vellum cardboard.

And of course, another very useful item to complete the package, was me at the drawing board!

(That's me, in about 1976 or 1977.)

I really do not miss those days for I actually thrive using every digital assistance available today.

However, I do miss that long-gone comic book era, when BEEP BEEP, THE ROAD RUNNER and THE PINK PANTHER occupied my creative hours!